Bach Bibliography Search Result

Author : Marshall, Robert L.
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Zur Vollständigkeit der Arie 'Mein Jesus soll mein alles sein' aus Kantate BWV 75.	BachJb	51		1965	144-147
	2.	The Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal Works.	diss.			1968	660p
	3.	Musical sketches in J. S. Bachs cantata autographs.	[fs]Strunk			1968	405-427
	4.	How J. S. Bach composed four-part Chorales.	MQ	56	2	Apr 1970	198-221
	5.	The Genesis of an Aria Ritornello: Observations on the Autograph Score of J. S. Bach's 'Wie zittern and Wanken', BWV 105/3.	[p]AMS_GreaterNewYork			Oct 1971
	6.	The Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal works.	PrincetonStudM	4		1972	xv, 271p; 189p
	7.	Bachs Skizzenarbeit und Kompositionsprozeß. Fest-Vortrag, geh. zum 48. Bachfest der NBG Nürnberg 1973.				1973	31p
	8.	The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken' BWV 105/3.	[fs]Mendel			1974	165-182
	9.	Studies in Renaissance and Baroque music in Honor of Arthur Mendel.	[fs]Mendel			1974	392p
	10.	Bach the Progressive: Observations on His Later Works.	MQ	62	3	Jul 1976	313-357
	11.	Towards a Chronology of J. S. Bach's Sonatas and Partitas for Solo Flute.	[p]AMS_Midwest			Nov 1977
	12.	Anmerkungen zur späteren Geschichte der alten Bach-Ausgabe: ein kleines bibliographisches Rätsel.	BachJb	64		1978	229-231
	13.	J. S. Bach's Compositions for Solo Flute: A Reconsideration of their Authenticity and Chronology.	JAMSoc	32	3	Autumn 1979	463-498
	14.	Bach, Johann Sebastian.	NEncyclBritannica	2		1979	556-561
	15.	Beobachtungen am Autograph der h-moll-Messe: Zum Kompositionsprozeß J. S. Bachs.	MKirche	50	5	1980	230-239
	16.	Zur Echtheit und Chronologie der Bachschen Flötensonaten: Biographische und stilistische Erwägungen.	[cr]Marburg1978			1981	48-71
	17.	Bachs h-moll-Messe. Zur Quellensituation und Überlieferung.	SommerAkadJSBach			1981	2-12
	18.	Beobachtungen am Autograph der h-moll-Messe zum Kompositionsprozeß J. S. Bachs.	SommerAkadJSBach			1981	13-21
	19.	Bach's 'choruses' reconstituted.	HiFi	32	10	1982	64-66, 94
	20.	Editore traditore: Ein weiterer 'Fall Rust'?	[fs]Dürr65			1983	183-191
	21.	Bach's Chorus: A preliminary reply to Joshua Rifkin.	MTimes	124	1679	Jan 1983	19-22
	22.	Tempo and Dynamic Indications in the Bach Sources: A Review of the Terminology.	[ce]BHSTercentenaryEssays			1985	259-276
	23.	Bach's 'Orchestre'.	EarlyM	13	2	May 1985	176-179
	24.	Bach the progressive: Observations on his later works.	GarlandLibHistWestM	6		1985
	25.	Kantaten zum 9. und 10. Sonntag Nach Trinitatis / Johann Sebastian Bach.	NBA	1	19	1985	xii (6p facs), 276p
	26.	Organ or 'Klavier'? Instrumental Prescriptions in the Early Sources of Bach's Keyboard Music.	[p]AMS_Vancouver			Nov 1985
	27.	Organ or 'Klavier'? Instrumental Prescriptions in the Sources of Bach's Keyboard Works.	[ce]JSBOrganist			1986	212-239
	28.	On Bach's Universality.	[cr]Philadelphia1985			1986	50-81
	29.	The Eighteenth Century as a Music-Historical Epoch: A Different Argument for the Proposition.	ColMSymposium	27		1987	198-205
	30.	A Lutheran Composer's Challenge: The Genesis of Bach's Magnificat.	[p]AMS_NewEngland			Sep 1987
	31.	Orgel oder 'Klavier'? Instrumentenangaben in den frühen Quellen der Bachschen Tastenmusik.	[cr]Leipzig1985			1988	303-314
	32.	On the origin of Bach's Magnificat: a Lutheran composer's challenge.	BachStud	1		1989	3-17
	33.	Bach, Johann Sebastian.	[ce]Marshall			1989	3-20
	34.	Bach the Progressive: Observations on His Later Works.	[ce]Marshall			1989	23-58, 295-303
	35.	Bach's Orchestre.	[ce]Marshall			1989	59-63, 303
	36.	On Bach's Universality.	[ce]Marshall			1989	65-79, 303-304
	37.	'Composing Scores' and 'Fair Copies'.	[ce]Marshall			1989	83-110, 304-305
	38.	The Sketches.	[ce]Marshall			1989	111-129, 305-308
	39.	The Autograph Score of Herr, gehe nicht ins Gericht, BWV 105.	[ce]Marshall			1989	131-142
	40.	The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken,' BWV 105/3.	[ce]Marshall			1989	143-159, 308-312
	41.	On the Origin of the Magnificat: A Lutheran Composer's Challenge.	[ce]Marshall			1989	161-173, 312-313
	42.	The Mass in B Minor: The Autograph Scores and the Compositional Process.	[ce]Marshall			1989	175-189, 313-314
	43.	The Autograph Fair Copies of the Fantasia per il Cembalo, BWV 906.	[ce]Marshall			1989	193-200, 314-316
	44.	The Compositions for Solo Flute: A Reconsideration of Their Authenticity and Chronology.	[ce]Marshall			1989	201-225, 316-328
	45.	'Authentic' Performance: Musical Text, Performing Forces, Performance Style (A Review Essay).	[ce]Marshall			1989	229-239, 328-331
	46.	'Editore traditore': Suspicious Performance Indications in the Bach Sources.	[ce]Marshall			1989	241-254, 331-333
	47.	Tempo and Dynamics: The Original Terminology.	[ce]Marshall			1989	255-269, 333-337
	48.	Organ or 'Klavier'? Instrumental Prescriptions in the Sources of the Keyboard Works.	[ce]Marshall			1989	271-293, 337-339
	49.	The Music of Johann Sebastian Bach. The Sources, The Style, The Significance.	[ce]Marshall			1989	xxiii, 375p
	50.	Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 19. Kantaten zum 9. und 10. Sonntag Nach Trinitatis. Kritischer Bericht.	NBA	1	19	1989	255p
	51.	Truth and Beauty: J. S. Bach at the Crossroads of Cultural History.	Bach	21	2	Summer 1990	3-14
	52.	The Notebooks for Wilhelm Friedemann and Anna Magdalena Bach: Some Biographical Lessons.	[fs]AlvinJohnson			1990	192-200
	53.	Bachs h-Moll-Messe. Zur Quellensituation und Überlieferung.	SchrRIBachAkadStuttgart	3		1990	48-67
	54.	Beobachtungen am Autograph der h-Moll-Messe. Zum Kompositionsprozeß J. S. Bachs.	SchrRIBachAkadStuttgart	3		1990	68-82
	55.	Bach and Mozart: Styles of Musical Genius.	Bach	22	1	Spring-Summer 1991	16-32
	56.	Bach and Mozart: Styles of musical genius.	[ce]PsychoanalyticExplorations	2		1993	153-169
	57.	Truth and Beauty: J. S. Bach at the Crossroads of Cultural History.	[fs]Scheide			1993	179-188
	58.	Bach's Tempo ordinario: A Plaine and Easie Introduction to the System.	[p]AMS_NewEngland			Apr 1993
	59.	Johann Sebastian Bach.	[ce]18cKeyboardM			1994	68-123
	60.	Eighteenth-Century Keyboard Music.	[ce]18cKeyboardM			1994	xvi, 443p
	61.	Luther, Bach, and the early reformation chorale.				1995	iv, 15p
	62.	Bach's 'tempo ordinario:' A Plaine and Easie Introduction to the System.	[fs]Brainard			1996	249-278
	63.	Bach and Mozart's Artistic Maturity.	BachPerspectives	3		1998	47-79
	64.	Wenn Mozart länger gelebt hätte. Eine wissenschaftliche Fantasie.	[fs]Schulze65			1999	270-281
	65.	The Nathan Bequest: Payment Receipts in the Hand of Johann Sebastian Bach, 1746 to 1748 (With a Fragment for the Year 1749 in the Hand of His Son).	[gs]Moldenhauer			2000	81-85
	66.	Toward a Twenty-First-Century Bach Biography.	MQ	84	3	Fall 2000	497-525
	67.	Bach 2000: Tue Rechung!	[p]ABS_Washington			Apr 2000
	68.	Arthur Mendel and the World of J. S. Bach.	[p]Mendel60BR			Nov 2005
	69.	Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday.	EastmanStudM	58		2008	x, 375p
	70.	Bach's Tempo ordinario: A Plaine and Easie Introduction to the System.	PerformPractReview	13	1	2008	1-33
	71.	Bach and Luther.	[ce]AstonMagnaAcademy			2009	229-241
	72.	Belated Thoughts on Bach's Chorus: A Reexamination of the Minimalist and Traditional Approaches to performing the choral music of Bach.	EarlyMAmer	15	4	Winter 2009	24-27
	73.	In Memoriam: Alfred Dürr (March 3, 1918-April 7, 2011).	BachNotesABS		15	Fall 2011	1-4
	74.	Bach the Progressive: Observations on His Later Works.	[ce]BaroqueComposers			2011	399-443
	75.	Postscript [to 'Bach the Progressive']	[ce]BaroqueComposers			2011	459-463
	76.	Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths.	Bach	43	1	2012	1-28
	77.	Redeeming the St. John Passion... And J. S. Bach.	BachNotesABS		17	Fall 2012	5-11
	78.	Redeeming the St. John Passion: How modern sensitivity has clouded Bach's masterpiece.	Commentary			Jul-Aug 2012	36-39
	79.	Wenig bekannte Dokumente zu J. S. Bachs Ohrdrufer Zeit.	BachJb	101		2015	155-165
	80.	Exploring the World of J. S. Bach: A Travelor's Guide				2016	xxx, 245p
	81.	Father and Sons: Confronting a Uniquely Daunting Paternal Legacy.	BachPerspectives	11		2017	1-23
	82.	Bach at the Boundaries of Music History: Preliminary Thoughts on the B-minor Mass and the Late Style Paradigm.	ContextBachStud	8		2018	297-303
	83.	A Report on the 2019 UMass Amherst Bach Symposium.	BachNotesABS		31	Fall 2019	16-17
	84.	Prologue. The Century of Bach and Mozart as a Music-Historical Epoch: A Different Argument for the Proposition.	[ce]Marshall			2019	1-8, 261
	85.	Young Man Bach: Toward a Twenty-First-Century Bach Biography.	[ce]Marshall			2019	9-29, 261-266
	86.	The Notebooks for Wilhelm Friedemann and Anna Magdalena Bach: Some Biographical Lessons.	[ce]Marshall			2019	30-37, 266-268
	87.	Bach and Luther.	[ce]Marshall			2019	38-55, 268-269
	88.	Redeeming the St. John Passion--and J. S. Bach.	[ce]Marshall			2019	56-64, 269-270
	89.	Bach's Keyboard Music.	[ce]Marshall			2019	65-113, 270-276
	90.	The Minimalist and Traditionalist Approaches to Performing Bach's Choral Music: Some Further Thoughts	[ce]Marshall			2019	114-120, 276-277
	91.	Truth and Beauty: J. S. Bach at the Crossroads of Cultural History.	[ce]Marshall			2019	121-129, 277-278
	92.	Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths.	[ce]Marshall			2019	130-147, 278-279
	93.	Bach at the Boundaries of Music History: Preliminary Reflections on the B-Minor Mass and the Late-Style Paradigm.	[ce]Marshall			2019	148-155, 279-280
	94.	Father and Sons: Confronting a Uniquely Daunting Paternal Legacy.	[ce]Marshall			2019	156-173, 280-284
	95.	Johann Christian Bach and Eros.	[ce]Marshall			2019	174-185, 284-286
	96.	Bach and Mozart: Styles of Musical Genius.	[ce]Marshall			2019	186-196, 286-289
	97.	Mozart and Amadeus.	[ce]Marshall			2019	197-211, 289-292
	98.	Bach and Mozart's Artistic Maturity.	[ce]Marshall			2019	212-237, 292-294
	99.	Mozart's Unfinished: Some Lessons of the Fragments	[ce]Marshall			2019	238-251, 294-296
	100.	Had Mozart Lived Longer: Some Cautious (and Incautious) Speculations.	[ce]Marshall			2019	252-259, 296-298
	101.	Bach and Mozart: Essays on the Enigma of Genius.	[ce]Marshall			2019	xxi, 331p
	102.	Bach Family Sites.	Bach	51	1	2020	70-121